William Brittelle is a Brooklyn-based composer of post-genre electro-acoustic music. Brittelle’s work is characterized by the melding of complex thematic ideas, rhythms, and formal structure with the visceral power and surface appeal of pop/rock music. His music has been the subject of features in The New York Times (Sunday Arts & Leisure), the Los Angeles Times, Time Out NY, and NPR’s All Things Considered.  His compositions have been presented across the U.S. and internationally., including the Festival Internacional in Chihuahua, Mexico, the Teatro Colon in Buenos Aires by JACK Quartet, Pittsburgh’s Music on the Edge series, Seattle's Town Hall, and the Ecstatic Music Festival at Merkin Hall. His music has been commissioned by the Seattle Symphony, the Indianapolis Symphony, the Alabama Symphony and the Eastern Connecticut Symphony. Recent commissions include Spiritual America, a series of electro-acoustic orchestral art songs featuring the band Wye Oak, a new piece for the Seattle Symphony, and Psychedelics for the Grammy-winning vocal group Roomful of Teeth and the Williams College Chorus. Past collaborative works include orchestral arrangements for the electronic artists Oneohtrix Point Never and Son Lux. Upcoming performances include dates with the Baltimore Symphony, the Basel Sinfonietta, and the Liquid Music Series/Walker Art Center.

Brittelle has been the recipient of grants and awards from the National Endowment of the Arts, American Music Center, American Composers Forum, the Jerome Foundation, the Foundation for Contemporary Arts, NYSCA, and ASCAP.  Along with composers Judd Greenstein and Sarah Kirkland Snider, he co-artistic directs New Amsterdam Records and New Amsterdam Presents, a vital Brooklyn-based record label and presenting organization.  He is a passionate promoter, presenter, and producer of new and adventurous music in New York City, having overseen the release of more than 55 critically acclaimed recordings.  Along with his partners, Brittelle also co-produced and co-presented more than 80 live music events throughout the U.S. in the last four years. He was formerly on the faculty of the Mannes Conservatory in New York City, teaching courses in Post-Genre Music and the Ethos of Punk.